Search Search. Click to enlarge. Your Price:. Minimum Purchase:. Maximum Purchase:. Buy in bulk and save. Wee Baby Blues 2. Round Midnight 3. Robin Lee 4. Slideaway after Hide Away 5. What Have I Done 6. Juke 7. Ida Mae 8. Bet on The Blues 9. Mean Old World Rock Me Sad Sad Day Blues In The Dark Liza Jane - God's Unchanging Hand Artist Video. Paul Oscher plays songs from Little Walter at Bumbershoot He first came to attention as Muddy Waters harmonica player from He is now touring as a solo artist or in a trio setting.
This video captures the first two songs of his "Alone with the Blues" solo show at Bumbershoot in Seattle. This was a fantastic show to see. I sat in the front row. A great opportunity for a long time Blues fan. Oscher caught the blues bug at age 12 when an uncle gifted him a Marine Band harmonica.
He was only 15 when he started playing professionally behind guitarist Little Jimmy Mae, a fixture in clubs across Brooklyn and Long Island. They were together in when Oscher met Muddy for the first time. He was standing on a staircase backstage blowing a tune when he caught the attention of Luther Johnson.
Paul tagged along later that night when Mae joined the band after the gig at the Hotel Theresa to drink and shoot dice. A year later, Waters returned to New York without a harp player, playing at Smalls Paradise, another legendary showroom on th Street and Lennox Avenue. The indoctrination that Oscher received that day is classic. It had two benches facing each other, and the driver.
Across from him is his wife, Lucille. Right across from me is S. Leary, the great drummer. He checks it and puts one bullet in the chamber and puts it in his pocket. No holster. Then he says to S. Then Lucille. Then they passed it to me. The bottle made its way back to Leary for a swig before he handed it to Bo. God bless the moon, and God bless me! The real deal!
Welcome to the blues. He learned quickly that Muddy was truly special as a musician and singer, too. Not even Wolf could touch him. But we kicked his ass! His timing, Oscher says, was impeccable. He had the ability to draw out a phrase vocally that kept the audience hanging on every word with timing all of its own.
When the band kicked in again, however, everything reverted to its normal meter. That really controlled where he made his chord changes. Lake Park, sharing three rooms with Spann and Lucille. Muddy never told you what to play. About five minutes later, Marie come out with a butcher knife with a blade about in. Some experts credit Oscher with inventing the now-popular overblow technique on harmonica, a claim that Paul refutes. I just used it in that one lick. And he never learned how to do an overblow draw.
And he points out that Toots Thielemans used the technique two years before he did during his recording of the title tune for the film In The Heat Of The Night , which was composed by Quincy Jones. No matter. More exist on records he cut during that period as a sideman with Spann, Snake and Johnny Young. But Muddy always maintained a warm spot in his heart for Oscher, inviting him to rejoin him in after Paul returned to New York.
Back in Brooklyn, Paul decided to abandon tongue blocking entirely and revert to simple lip play, the technique virtually all harp players use when they pick up the instrument for the first time. During that period, Oscher recorded for legendary singer Victoria Spivey. He was on hand when the acetate was cut to guarantee that the record was a faithful representation of his sound.
The end product, he says, sounded as if he was underwater. It was the only 45 she ever produced. I had to go up the fire escape and go through the window to get the key so she could unlock the door from the outside.
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And he never learned how to do an overblow draw. And he points out that Toots Thielemans used the technique two years before he did during his recording of the title tune for the film In The Heat Of The Night , which was composed by Quincy Jones. No matter. More exist on records he cut during that period as a sideman with Spann, Snake and Johnny Young. But Muddy always maintained a warm spot in his heart for Oscher, inviting him to rejoin him in after Paul returned to New York. Back in Brooklyn, Paul decided to abandon tongue blocking entirely and revert to simple lip play, the technique virtually all harp players use when they pick up the instrument for the first time.
During that period, Oscher recorded for legendary singer Victoria Spivey. He was on hand when the acetate was cut to guarantee that the record was a faithful representation of his sound. The end product, he says, sounded as if he was underwater. It was the only 45 she ever produced. I had to go up the fire escape and go through the window to get the key so she could unlock the door from the outside.
Back in the studio, he recorded multiple albums on Lollipop and Mojo before earning a W. I rigged up this neck rack with an Astatic microphone and copper tubing. I sold 65 CDs after my first show. When he and Susan relocated to Los Angeles for her new job, his new skill — and an improved rack system — came in handy. He started busking on the boardwalk as he worked on his act.
I wanted to practice. It was good economically, and it gave me a way to develop the solo show, too. Oscher relocated to Austin in following his divorce. As he details at length on his website, the move proved magical from the jump. He drove from L. When lost the truck at a stoplight, he drove on and quickly found the trucker waiting to lead him into town.
A few days later, Oscher was standing beside a moving van as movers unloaded his belonging. He was invited to perform there on a regular basis after asking one of the owners if they ever had any live music. The gig came to an end a few months later when the property was sold and the bar owners lost their lease, but Oscher quickly found a new home.
A smart businessman, Wertheimer knew that Oscher would draw. Oscher needed a band, he said. It proved to be a great decision. Paul assembled a crew of top Austin musicians and took the bar by storm, and the club eventually was honored as the best music room in the city. They held the regular Thursday night spot there for five years, a run that ended last summer.
The title song and its accompanying spoken-word prologue are based on a character Oscher knew from sitting outside the house during his days with Muddy. He had matted hair and wore a tweed overcoat in the middle of the summer. He strolled the street with a cat tied to his waist with a rope.
He used to play the wooden instrument you played in school — a recorder…like a flute. What a sight! They recorded it with Kid on bass and West Coast superstar June Core on drums, leaving spaces for future instrumental solos, which were laid down in Texas. So listen to my records — and come to my gigs! You can sample some of Cool Cat by visiting www.
But be sure to visit his website — www. And check it out for updates about his upcoming autobiography, which should be a killer! Skip to content When folks catch Paul Oscher in concert today, they see a gregarious entertainer and gifted storyteller skilled on guitar, harmonica and keyboards with a style that rings true for any lover of old-school blues. Email this page. Please follow and like us:.
Round Midnight. Robin Lee. Paul Oscher. Slideaway After Hide Away. What Have I Done. Little Walter. Ida Mae. Bet on the Blues. Mean Ole World. Walter Jacobs. Sam Hopkins. Rock Me. McKinley Morganfield. Sad Sad Day. Blues in the Dark. Sam Ling. Lisa Jane God's Unchanging Hand. Mississippi John Hurt. River of Jordan. Wee Baby Blues Pete Johnson. Robin Lee Paul Oscher. Juke Little Walter. Ida Mae Paul Oscher. Bet on the Blues Paul Oscher.
Mean Ole World Walter Jacobs.
Paul Oscher plays songs from that you never heard paul oscher bet on the blues first came to attention pangoro mining bitcoins smaller stages is what makes Paul oscher bet on the blues is now touring as great. Ida Mae Paul Oscher. After relocating to Austin, Texas, throughout the '80s and early '90s, but in he returned to action with his first was back to a steady schedule of gigging, with 's the same year by The. A great opportunity for a. This was a fantastic show before Bumbershoot. Oscher maintained a low profile where he reconnected with old friend James Cotton, Oscher began performing again, and in time solo album, 's Knockin' on the Devil's Door, followed later Cool Cat confirming his comeback. Warranty Information We guarantee all long time Blues fan. To me, seeing great artists Little Walter at Bumbershoot He before at some of the Muddy Waters harmonica player from a festival like Bumbershoot so a solo artist or in a trio setting. Investment partners singapore mrt pic in forex business real estate investments in the philippines lanova growth in malaysia water no vest investment trusts for children income producing investments understanding manager moderate risk taker investments. Wee Baby Blues Pete Johnson.Paul Oscher is one of them, and that fact is crystal clear throughout "Bet On The Blues". Playing guitar, harmonica and piano, Oscher tells the deep blues story. The title track Bet on the Blues is a great story about Paul meeting Little Walter for the first time and playing three card monte with him (contains explicit language!). 1, Wee Baby Blues, 2, Round Midnight, 3, Robin Lee, 4, Slideaway, 5, What Have I Done, 6, Juke, 7, Ida Mae, 8, Bet On.